Ranking the albums of Arctic Monkeys in order of greatness

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If you look back over the twenty years of the 21st century, it’s hard to regard anyone as being a bigger, and arguably, better band than Arctic Monkeys. The Sheffield-born band have transcended their kebab shop origins and are now a Michelin-starred band capable of filling stadiums and festival sites wherever they go. If there was one band to have dominated the century in rock ‘n’ roll so far, it has to be Arctic Monkeys.

Alex Turner, Jamie Cook, Matt Helders and Nick O’Malley have quickly asserted themselves as rock music’s last hope. Over six albums they have proven that if there was one band to hang your hat on, then at least the Sheffield boys were robust enough to do it. Six studio albums have not only proven their music-making prowess but also that, like all great bands, they have evolved and matured too.

It was a serious concern for those close to the group after they unleashed their unprecedented debut Whatever People Say I Am That’s What I’m Not. The LP was so intensely built out of the tangible world around them that many worried once their world changed, their music would suffer. Instead, the band have only ever propelled themselves forward both musically and commercially.

Since that LP landed and a shockwave ran through Britain, the band have slowly begun to globalise. For a few months, the group remained one of Britain’s own, a point of pride and an attainable way to get inside the psyche of modern Britain but, as the hype grew, Arctic Monkeys made good on its promise and delivered countless songs, albums and performances which cemented their place at the top of the music world’s rock pile.

If somehow you’ve remained under a rock for the fifteen years that the Arctic Monkeys have been overseeing their aforementioned dominance, and you aren’t sure on where to start with the group, then below we’ve got you covered. We’ve ranked the band’s studio albums in order of greatness to give you the perfect place to begin your fascination with the band.

Ranking Arctic Monkeys albums worst to best:

6. Suck It and See (2011)

Released in 2011, it wouldn’t be too far out of place to suggest that this album is one of the only makeweights in the band’s canon. The album was, in comparison to the rest of their catalogue, a little confused trying to straddle the duality of “poppy” hits and “vintage” stylings, never truly achieving both.

The band were trying to move away for the darkened sounds of Humbug as they were keen to break out of the pigeonhole they had created. While the album certainly does that, using the band’s new technique of rehearsing and changing songs as they went, it never really delivers on the pop bangers we were promised.

When looking through the album it’s hard to pick out many tracks that would make a top 20 list of the band’s best. For that reason alone, we’ve every right to make this our least favourite AM album. While songs like ‘Brick By Brick’ may sneak into your top 20, it’s the only one that really comes close.

5. Favourite Worst Nightmare (2007)

The dreaded ‘second album syndrome’ threatened to derail the Arctic Monkeys. Having had such a landmark debut record, the pressure had increased tenfold by the time they came to recording the follow-up, Favourite Worst Nightmare. But, as they would prove time and time again, the Arctic Monkeys were more than capable of handling any pressure that was thrown at them.

The first album to feature Nick O’Malley on bass having replaced the previous bassist Andy Nicholson who departed the band before they toured North America in support of the debut. With O’Malley’s introduction, the sound dramatically changed and their previous razor-sharp buzzsaw sound got heavier and much, much louder.

Big hits from the record like ‘Brianstorm’, ‘Teddy Picker’ and ‘Fluorescent Adolescent’ suggested the band had lost none of their zip and other notable songs like ‘505’ and ‘Only Ones Who Know’ showcase a band on the move. That’s the most impressive thing about this record, it provides a paint-by-numbers kit for making the perfect sophomore album — keeping enough of the old style to show a transition but provide enough change to promote evolution.

4. Humbug (2009)

By 2009, the Arctic Monkeys were already the biggest band on the planet. Two albums had confirmed they weren’t one-hit wonders and the next record was set to be another moment from which the group could excel. Perhaps as a way of kicking out against the huge praise that they were receiving, the band turned their back on their former style.

Humbug is regarded as the band’s heaviest album and they don’t pull any punches on the record. It was a sonic exploration aided in no small part by Queens of the Stone Age lead singer, Josh Homme. The acclaimed rocker helped the band to write the songs on the record and his influence can be felt in the distorted guitars and vibrations one feels in their chest when listening to the LP.

3. AM (2013)

Sharpen your pitchforks! We’re expecting a bit of a furore around this one. For many people who haven’t been with the band from the start of their journey, it’s quite likely that AM was the introductory Arctic Monkeys album. It is so chock-full of notable songs that it feels a bit of a crime to leave it so lowly on the list.

Though the record is undoubtedly the perfect album for your favourite Netflix dark comedy, it feels a touch contrived in the scope of the band’s albums. It feels like a deliberate attempt for the band to become a commercial powerhouse, songs like ‘Why Do You Only Call Me When You’re High?’, ‘R U Mine’, ‘Arabella’ and ‘Do I Wanna Know’ were mainstays of college radio.

2. Tranquility Base Hotel & Casino (2018)

The most recent LP from the Arctic Monkeys very nearly took the top spot as their best. It’s a decision which we’re sure will divide fans as quickly as when Alex Turner confirmed that most of this album, unlike the rest of their catalogue, was written primarily on a piano. Whether it was because rock’s last great hope had turned to a piano or just a reaction to the change of musical pace — but the album had a habit of upsetting their fans.

If you were such a fan and the change of musical direction came as an unwelcome shock to you, then you really should have been paying more attention. Throughout their entire career, the group have always moved at their own pace and with their own style, it seems fitting that after five years without an LP their next would be a huge statement.

A concept album of sorts (though arguably not the band’s first), Tranquility Base Hotel & Casino draws heavily from science fiction and film and explore themes of consumerism, politics and religion through the idea of a luxury resort on the moon. With this instruction, we are offered a view of a band who had irrevocably changed and not just Alex Turner’s vocals.

1. Whatever People Say I Am That’s What I’m Not (2006)

Here we are, where it all began. The Arctic Monkeys debut album is right up there in contention for the title of ‘best debut LP of all time’ and it rightly takes the top spot of their own canon. The album remains, to this day, as one of the last truly great rock and roll records and rightly takes its place in the pantheon of British music history.

The album was a hive of buzzing intent and frenetic energy when it roared on to our turntables in 2006, marking the beginning of the most important artist of recent years, Arctic Monkeys. The Sheffield band, just young upstarts at the time, already had a number one song under their belts with ‘I Bet You Look Good On The Dancefloor’ and despite protestations from their lead singer Alex Turner, many people had already begun to believe the hype.

Whatever People Say I Am That’s What I’m Not would go on to win the Mercury Music prize in 2006, the LP’s concept album status growing by the minute. The record would encapsulate the crystalline feeling of stupid youth and saw the band launch into the stratosphere the likes of which nobody had seen since the glory days of Britpop. The difference being that AM’s contribution had been a level above the rest.

Arctic Monkeys not only delivered a guitar album capable of pulling everyone on to the dancefloor, but they did it without artistic compromise, changing the culture of Britain as they went.

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